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Carlo Crivelli Annunciation with Saint Emidius 1486
National Gallery, London
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Carlo Crivelli Lamentation over the Dead Christ 1485
Museum of Fine Arts, Boston
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Carlo Crivelli Madonna and Child Enthroned with a Donor 1470
National Gallery of Art, Washington DC
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Carlo Crivelli St.James of Marche with Two Kneeling Donors Musee du Louvre, Paris
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Carlo Crivelli St.Roch
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Carlo Crivelli James of the Marche with Two Kneeling Donors (mk05) Wood 78 x 25 1/2''(198 x 65 cm)Entered the Louvre in 1862
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Carlo Crivelli Annunciation whit St Emidius (mk08) 1486
Oil on canvas,Transferrde to wood
207x147cm
London National Gallery
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Carlo Crivelli Annunciation with St Emidius mk86
1486
Oil on canvas,transferred to wood
207x147cm
London,National Gallery
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Carlo Crivelli Jakobus of the boy with the Hl. Philippus and Bernhard mk148
Jakobus the boy to the left) considered usually to be Jesu brother becomes he holds a Tuchwalker-pole in the hand the tool its execution around 62n.Chr.)
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Carlo Crivelli Madonna of the Passion mk156
c.1460
Tempera on panel
71x48cm
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Carlo Crivelli Annunciation with St. Endimius mk156
1486
Oil on canvas transferred to wood
207x147cm
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Carlo Crivelli The Vision of the Blessed Gabriele Ferretti mk170
circa 1489
Oil and egg tempera on poplar
141x87cm
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Carlo Crivelli The Dead Christ Supported by two angels mk170
1473-1475
Tempera on poplar
72.4x55.2cm
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Carlo Crivelli The Annunciation mk170
oil and egg tempera on canvas
207x146.7cm
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Carlo Crivelli La Madonna della Rondine mk170
1490-1492
Oil and egg tempera on poplar
150.5x107.3cm
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Carlo Crivelli Vekundigung at the Maria mk186
1486 London, Natinal Gallery
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Carlo Crivelli Faith madonna with child, and the donor mk234
about 1470
130x55cm
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Carlo Crivelli the annunciation,with st.emidius mk247
1486,egg tempera and oil on canvas,81x57.675 in,207x146.5 cm,national gallery,london,uk
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Carlo Crivelli the vision of the blessed gabriele mk247
c.1489,oil and egg tempera on poplar,55.5x34 in,141x87 cm,national gallery,london,uk
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Carlo Crivelli scene of pork butcher s shop mk247
c.1510,fresco (detail),castle lssogne,aosta valley,ltaly
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Carlo Crivelli
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1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
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